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Nancy Beckman
Elizabeth Reian Bennett
Kirsty Beilharz
Elizabeth Brown
Cynthia Nyoen Chaffee
Kiku Day
Martha Fabrique
Geleni Fontaine
Tomie Hahn
Deirdre Healey
Flora Henderson
Stephanie Hiller
Kaneko Tomoe
Bronwyn Kirkpatrick
Matsushita Shunzan
Anne Norman
Véronique Piron
Lauren Ruben
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At the Shakuhachi Festival in New York in 2004, a panel discussion
limited to women shakuhachi players was organised, which was then
followed by a concert by panel members.
It was a very special experience to meet all these wonderful women,
who, like myself, have dedicated themselves to the shakuhachi. Inspired
by this meeting, I have decided to make available a list of women
shakuhachi players on my site, so that we might know where our sisters
are located and can perhaps take contact with them when travelling.
If readers know of more female shakuhachi players who would not mind
being listed here, please let me know!
The names below are ordered alphabetically by family name (which
comes first in Japanese); addresses and other information are in
accordance with the latest information known to me. Corrections of
any errors are earnestly solicited!
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Nancy
Beckman |
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Sebastopol, California [San Francisco Bay Area], USA
Nancy is a myoan-ryu shakuhachi player, who has been playing since
1972. She has studied with Fukumoto Kyoan and Yoshimura Fuan of Meian-ji
Temple in Kyoto and has a performer's name, Fukushin, and a licence
(menkyokaiden) to teach Meian-ji style shakuhachi.
Today Nancy teaches honkyoku, plays experimental music and improvises.
She is also involved with music healing. Her music can be heard on CDs on the
Metatron Press label.
www: metatronpress.com/artists/nbeckman
email: nbeckman@metatronpress.com
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Kirsty Beilharz |
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A violin player and professional composer, Kirsty Beilharz discovered shakuhachi through Zen and composition. Her teachers in Sydney are Riley Lee and Bronwyn Kirkpatrick. This year she visited Kakizakai Kaoru Sensei in Chichibu, with whom she hopes to pursue further study in Japan. Her
25-minute chamber concerto for shakuhachi and ensemble was performed by Iwamoto Yoshikazu with Ensemble Recherche Freiburg (Hannover Biennale Neue Musik 2000). In her sonification and digital media research work at the
University of Sydney, Beilharz investigates real-time sound analysis and gestural interaction as the basis for electronically augmented hyper-shakuhachi performance. Her current interests include playing honkyoku
(Kinko/Yokoyama) and contributing to the contemporary solo and chamber repertoire for shakuhachi.
Web site: wwwpeople.arch.usyd.edu.au/~kirsty
Shakuhachi blog site: www.kirstykomuso.blogspot.com
email:kirsty@kirstybeilharz.com.au
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Elizabeth
Reian Bennett |
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Elizabeth received a B.A. in East Asian Studies
from Princeton in 1975 and a Ph.D. in Chinese Arts History from
Yale in 1984. Japanese music became a major interest while she pursued
her academic studies, and in 1982, two years before receiving her
Ph.D., she became a shakuhachi Shihan and received her performing
name, Reian.
In March 2004, Reian was further awarded the rank
of grand master from her teacher Aoki Reibo with
whom she has trained in the Reibo-kai techniques and style for twenty
years.
email: elizabethreian@hotmail.com
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Elizabeth
Brown |
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After receiving a Masters degree in flute performance from
The Julliard School, Elizabeth began composing and studying shakuhachi
with Ralph Samuelson. Some of Elizabeth's music combines Japanese
and Western instruments. Her music has been heard in Japan, the
Soviet Union, Colombia, Australia and Vietnam as well as across the
US and Europe. Elizabeth performs and records extensively. A solo
CD, Blue Minor: Chamber Music by Elizabeth Brown was recently released
by Albany Records.
www: elizabethbrowncomposer.com
email: elibrooklyn@yahoo.com
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Cynthia
Nyoen Chaffee |
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Huntington, New York [Connetticut], USA
Cynthia
earned a Masters Degree in ethnomusicology and composition from
Aaron Coplan School of Music, Queens College, City University
of New York, where she began studying shakuhachi in 1983. She received
her shihan from Ronnie Nyogetsu Seldin. Cynthia is active both
as a performer in various groups such as Nihon no Shirabe and
the Long Island Taiko Group Rhu Shu Taiko and the organisation
of the Haru Matsuri (spring festival) in her hometown, Huntington,
where she teaches piano and shakuhachi. Her recordings are: A Woman
Sounds Ancient Wisdom (shakuhachi) and Chopin Sampler (piano)
www: emptybell.org/teachers.html
email: mailto:cchaffee@optonline.net
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Kiku
Day |
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Photo: Molly Thompson
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London, U.K.
(København, Danmark)
I thought I'd better put myself in here, so as not to be entirely
forgotten. But as there is sufficient information about me on this
website, I omit it here.
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Martha
Fabrique |
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Dr. Fabrique currently serves as Assistant Professor of Music at
Our Lady of the Lake University and holds a DMA from University of
Colorado-Boulder. She is a professional flutist who frequently joins
the San Antonio Symphony flute section and freelances in other orchestras
and ensembles. Moreover, she is an accomplished shakuhachi player
as well, having studied for Kurahashi Yoshio and Stan Richardson.
Her doctoral thesis is entitled 'Crosswinds: Interpreting Flute Literature
Influenced by the Japanese Shakuhachi',
www: ollusa.edu/academic/cas/Music/fabrique.html email: fabrm@lake.ollusa.edu
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Geleni
Fontaine |
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I
am a student of James Nyoraku Schleffer in Brooklyn, New York. I've
studied shakuhachi since August 2001. When I fist heard shakuhachi
I was struck by the blend of quiet and oldness in the sound, and the
depth of emotion in the music
was something that startled me and drew me in. It's now a very significant
part of my life, and always will be.
I have worked for many years with social justice groups and doing
mind/body/spirit work with youth and adults. In the next year I
hope to begin studying to be an acupuncturist. For me there is a
profound connection between shakuhachi, healing, and the creation
of a more peaceful world.
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photograph by Vivian Taylor
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Troy, New York, USA
Tomie is a performer and ethnologist whose creativities span a wide
range of topics including: Japanese traditional performing arts,
Monster Truck rallies, issues of identity and creative expression
of multiracial culture, interactive dance/movement performance, and
gestural control and extended human/computer interface in performing
arts. She holds a degree in Art History, Music Performance and Ethnomusicology
and teaches/performs shakuhachi and nihon buyo (Japanese traditional
dance). Tomie has studied shakuhachi with Ralph Samuelson and Yamaguchi
Goro. Hahn is currently an Associate Professor in the Department
of the Arts at Rensselaer Polytechnic Institute in Troy, NY.
www: arts.rpi.edu/tomie
email: hahnt@rpi.edu
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Stephanie started learning shakuhachi with Yoshikazu Iwamoto in 1985, whilst studying music at Dartington College of Arts, Devon, UK. She now studies Kinko repertoire with Michael Coxall and Zensabo repertoire with Kiku Day in London.
Stephanie works as a Holistic Therapist and is especially interested in the use of shakuhachi in sound healing. To this end, she is currently studying on a 2 year sound healing course in London.
www.stephaniehiller.co.uk
email: stephaniehiller9@yahoo.co.uk
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Kaneko
Tomoe |
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(Tokyo, Japan)
Tomoe is one of the leading female shakuhachi players in Japan,
drawing keen attention from the media. After receiving a Masters
Degree at Tokyo Geijitsu Daigaku (Tokyo University of Fine Arts),
she auditioned for the Japanese state broadcasting company, NHK,
and has performed in FM radio programs. Since then, she has performed
in Sweden, Poland, Turkey, China, Ireland, Australia, and Finland
and been presented on various television programmes and in magazines.
Website: sakura-yokohama.com/html/events0607.html
email: tomoe.fufufu-nomads@docomo.ne.jp
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Bronwyn
Kirkpatrick |
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(Sydney, Australia)
Bronwyn is a student of Grand Master
Dr. Riley Lee, and holds a Bachelor of Music Degree in clarinet performance.
She has played shakuhachi with Bell Shakespeare Theatre Company, the Sydney
Dance Company and TaikOz (Japanese-Australian taiko drumming fusion) and
teaches shakuhachi in Sydney. Bronwyn has released two solo CDs of original
compositions for shakuhachi, focusing on the meditative qualities of the
instrument.
www: users.bigpond.com/bronwyn.kirkpatrick/
email: bronwyn.kirkpatrick@bigpond.com
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Matsushita
Shunzan |
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(Tokyo, Japan)
Shunzan began studying shakuhachi at age 12 with her father and
later became the first female shakuhachi player to graduate from
Tokyo Geijitsu Daigaku (Tokyo University of Fine Arts). She has studied
with Yamamoto Hôzan and Satô Chikai and is a dai-shihan
(Grand Master) of Tozan-ryû. Shunzan is a licensed
music instructor of adult education and teaches in many schools throughout
Japan. She has performed at the Imperial Palace, annually on NHK
FM Radio since 1990, and in Italy, Holland, and the United States.
In 1994 she formed her group Hushu.
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Anne
Norman |
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(Melbourne, Australia)
Anne composes for and performs on the shakuhachi. Originally trained
on the flute, she took up the shakuhachi under Nakamura Shindo and
later studied under Tajima Tadashi in Osaka. In 1990 she received
a two year grant from the Japanese Government to study shakuhachi
with Yamaguchi Goro at Tokyo University of the Arts. Anne works as
a freelance musician in collaborative improvisation and contemporary
Australian music for the shakuhachi, together with a variety of other
artists. She is a member of jouissance which places 6th to 13thC
Latin and Byzantine chants in a contemporary framework and plays
in the duo Questing Spirit which combines the shakuhachi with the
harpsichord. Anne teaches, performs, and directs music for the theatre
and the dance and is regularly engaged as a recording artist for
CDs and film.
www: www.annenorman.com
email: anne@annenorman.com
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Véronique
Piron |
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France
Veronique PIRON, born in 1961, is a professional French flutist,
and a Shakuhachi player since 1992.
She started to work in France with IWAMOTO Yoshikazu and then in
Japan with YOKOYAMA Katsuya and FURUYA teruo, and practiced there
with many shamisen and koto players as she got a “Lavoisier”
scholarship from the French Foreign Affairs Ministry between 2000
and 2002. She has a SHIHAN licence from YOKOYAMA Katsuya, and got
a French State Degree in 2004 for teaching Shakuhachi and Japanese
Music. From 2004 she created a workshop about Japanese Traditional
Music and a Shakuhachi Class in the State Music School where she
is teaching flute, and is trying to extend this teaching into appropriate
places in France as those concerned about traditional music.
Veronique presents regularly the Shakuhachi inside the Music Museum
(Cite de la Musique) in Paris, gives concerts in her country and
participates in International Concerts as the International Shakuhachi
Summit in Tokyo in 2002.
Presently as she is leaving in West part of France from Celtic culture,
she is starting a creative and sharing work with representative
musicians there.
Webside will come soon
Activity blog: http://nipponflutes-actualite.blogspot.com/
email: vpironet@yahoo.fr
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Lauren Ruben MA MSMT |
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Lauren Rubin has a Bachelors degree in Voice, and a Masters of Science in Music Technology from the University of Indiana. Lauren studies, performs and teaches the Aboriginal didgeridoo and North Indian tabla. She studies shakuhachi with Todd Barton, and her interest lies in honkyoku. She teaches percussion and music technology in the Artists in the Schools program, and plans to begin a PhD at Melbourne's Monash University in Ethnomusicology in the fall of 2006. |
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Bio
My Teachers
Lessons
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